Thr Macallan continues to engage with Nigeria’s evolving creative landscape through its relationship with Alexis Galleries, highlighting the artistry, craftsmanship and cultural expression shaping contemporary Nigerian art.

This engagement was reflected at Gèlè, a dual exhibition featuring contemporary artists Arinze Stanley and Dotun Popoola, running from October 24 to November 11, 2026. The exhibition explores the cultural significance of the Nigerian woman’s gele, examining its place in expressions of identity, womanhood, heritage and personal style.
Beyond traditional attire, the gele represents confidence, individuality and cultural belonging. Through their distinct artistic practices, Stanley and Popoola reinterpret this familiar cultural symbol, bringing together hyperrealist drawing, painting and monumental metal sculpture to explore its contemporary relevance.

The relationship between The Macallan and Alexis Galleries extends beyond individual exhibitions. Through initiatives such as Recycling Matters I and Recycling Matters II, they have explored the intersection of art, craftsmanship and sustainability, highlighting how discarded materials can be transformed into compelling works of art. Art Residency: Recycling Matters III forms part of this ongoing engagement, extending the conversation around artistic exploration, material innovation and sustainability.
For The Macallan, engaging with the creative community reflects an appreciation for the patience, precision and intention that underpin exceptional craftsmanship. These values find expression in the artistic process, from the development of an initial idea to the creation of a finished work.
For Popoola, the Gèlè exhibition builds on his longstanding practice of transforming discarded scrap metal into monumental sculptures. The exhibition’s concept originated from his idea to celebrate the things that unite Nigerians and highlight the beauty of their cultural expressions. Through his sculptural approach, he gives the gele a striking physical presence, reimagining its sweeping folds and elaborate forms through metalwork.
Stanley brings a different perspective through his hyperrealist drawings, exploring colour, texture and mixed media to celebrate women and the confidence with which they wear their gele. His contribution comprises five works, including four drawings and a sculptural installation that marks his first venture into sculpture.
Together, the artists offer complementary interpretations of the gele, demonstrating how a familiar cultural symbol can inspire new artistic perspectives while celebrating Nigerian women and their individuality.
Through its ongoing relationship with Alexis Galleries, The Macallan continues to engage with creative expressions that encourage reflection on culture, craftsmanship and sustainability. From the Recycling Matters initiatives to Gèlè, this engagement highlights the many ways art can celebrate heritage and contribute to Nigeria’s contemporary creative landscape



